10 Best Educational TV Shows to get your brain in shape while staying at home

Spending time in quarantine and self isolation means plenty of time and space to educate yourself. There’s much going on right now with the Corona virus pandemic raging around the globe and it’s hard to keep track. But you’re lucky: lots of television programs to fill your brain with and to make sure you’ll stay on top of your political game while staying at home.

On EU nationalism

Game of Thrones (2011-2019, 8 seasons, HBO)

Valar Morghulis. Valar Dohaeris.

On mass surveillance and Artificial Intelligence

Person of Interest (2011-2016, 5 Seasons, CBS)

One day, I realized all the dumb, selfish things people do… it’s not our fault. No one designed us. We’re just an accident. We’re just bad code.

On fascism in late capitalism

The Handmaid’s Tale (since 2017, 3 seasons so far, Hulu)

Praised be, bitch.

On neoliberal supremacy in late capitalism

Westworld (since 2016, 3 seasons so far, HBO)

Violent delights have violent ends.

On neighborhood support networks in working class and poor communities

Shameless (2011-2020, 11 seasons, Showtime)

I always fantasized about having enough money to stock up on toilet paper.

On neighborhood support networks in upper class communities

Downton Abbey, (2010-2015, 6 seasons, iTV)

Don’t be defeatist. It’s very middle class.

On Domestic and Intimate Partner Violence

Big Little Lies (2017-2019, 2 Seasons, HBO)

Heterosexuality should be illegal. [That’s not a quote from the series. That’s just the moral of this show.]

On how to defend yourself against your abusive partner

How to Get Away with Murder (2014-2020, 6 seasons, ABC)

The way you are whining right now makes me believe you think I’m your mother.

On Gentrification and Housing

Vida (2018-2020, 3 Seasons, Starz)

Qué pasa mi raza? This is your girl, La Pinche Chinche. This is a manifesto, mi gente. So grab a pencil and take note, because this morning, I’m saying, ‘Basta.’ The way they shut us down at the city council meeting last night, was some straight bullshit – like if we shouldn’t have a say in how and where we live. But if those fuckers think that we’re going to take this occupation, this recolonization lying down, they got another thing coming, mi gente.

On Public Health and Oppression

Pose (since 2018, 2 seasons so far, FX)

They’ll never know that feeling what it’s like to love without worrying that you’re gonna die, or worse yet, that you’re gonna kill somebody. I don’t know what’s shittier having that freedom taken away or never having had it to begin with.

Quick and Dirty: Westworld (2016-), HBO

Imagine you are an artificial intelligence and your only reason for existence is to be murdered, tortured, raped and beaten on a daily basis, your memory is erased after every incident to “protect” you and you have been living in this hell hole from several to 35 years. Imagine mankind thinks you are just a thing although they’ve written very human emotions and affects and character traits into your core code and gave you a human body to communicate with and navigating in this world to make it a “real experience”. Imagine they have no fear of any repercussions because you are not programmed to flee, fight back or develop self-conscience. Imagine they were wrong.

Maeve Millay – brothel queen, psychic witch, mother of the year, outsmarts everyone, shoots you in the face

I had Westworld on my watchlist for quite a long time because the premise sounded like a festival of sexual violence. The good thing: it’s not. Yes, rape and assault are prevalent (hey, we have to deal with men here so it’s really not a surprise) but more as a theme and a reference. The graphic depiction of sexual violence is very low-key for this genre and often implied. The general violence however is ‘in your face’ which is fine by me: the main female characters are not the victims in this sci-fi dystopia. Actually they are pretty villainous and vengeful. Besides shock effects and aesthetic value graphic violence in film functions as some kind of carthatic experience for the audience (as in: white men). But Westworld reminds us constantly that white men are evil pricks and women (so many plot-relevant female characters on this show, i’m howling) are here to bring them down. and everyone else who colludes with them. This is my carthatic jam.

The complexities and questions revolving around concepts of reality, agency,  consciousness, memory, moral, responsibility and solidarity are rocking hard in Westworld, one of at least six parks for rich people to act out their “dark side” with the hosts as the support characters on their journey of “self-experience”. I’m awe-struck by every episode: The show not only manages to dissect and discuss those concepts within the plot, dialogue and character development in a meaningful way but allowing their female characters to have different approaches while slowly gaining power and control over their own narratives. They are constantly creating a new world (order) within and outside the parks.

Dolores Abernathy – oldest host in the park, former damsel, now dominator, daughter of the year, has had enough of whiny boyfriends

Westworld is full of subtle critique and open references on the western european history of genocide, settler colonialism and slavery in the Americas and India (so far). If you expected Westworld to be the hot take in TV format on this, you probably will be disappointed. Another sea of thin ice is the depiction of first nation, indigenious and non-western people. Yes, their stories are solely created to entertain and cater to the interests of human guests, who are rich, western and predominantly white. But at this point we are shown only very few of them with so much agency you can safely assume their stories are being relevant to the greater over-arching narrative (which is still a riddled mess at this point). And maybe this was made on purpose because it’s coherent with the premise and my impatient ass is to blame for my slight discomfort. If your ass is a liberal one in cultural studies you could easily read this as a meta reference to racism in film or euro-centric ‘worlding’. Or the perfect portrayal of the white western gaze. You could also ask in which ways racist fetishism on a storytelling level challenges or contradicts those analyses.

The show still delivers on many feminist topics and as we were promised from Evan Rachel Wood herself: heteronormativity is not quite working on artificial intelligences. Welp! And with only 15 episodes and counting Westworld already managed to subvert the Bury Your Gays Trope (i don’t want to spoil everything…so live with that)

I know this review has to be short but let me at least have a word or two on the incredible acting: No actor or actress receives full scripts. They only get the parts they are playing next mostly due to avoid spoilers via cast member interviews that would ruin the watching experience and world building in Westworld. Preparing and shooting without having the full scope is quite challenging to create a coherent and multidimensional character at the same time but imagine your character has at least three or more roles/personas you all have to pull in one dialogue or even a simple reaction? Yeah. I could go on writing about any on-and-off-screen detail I know but let’s end this review with some Tessa Thompson appreciation:

Charlotte Hale – kinda supervises the parks, queen of smoking, side eyeing and escaping death, gives zero fucks about her morals and your ass